|
Classic
|
||||
|
1750
– 1825
|
||||
| Composers |
Mozart |
|||
| Melody | Singable,
balanced,symetrical Two phrases of the same length |
|||
| Rhythm | flexibility
of rhythm variety of rhythmic patterns within a piece changing from longer to shorter note values either gradual or sudden |
|||
| Dynamics | gradual changes in volume, crescendo and decrescendo a novelty | |||
| Texture | homophonic for the most part, but changing texture freely | |||
| Classic orchestra | larger,
wind instruments used for solo parts, brass added volume, but did not usually play the melody |
|||
| Timbre | more variety of tone color | |||
| Form | Symphony,
a large work for orchestra in several movements Sonata, work in several movements for an instrument |
|||
| Sonata
form opening movement of a symphony is in sonata form a very large A B AI Exposition Development Recapitulation Many classic period works are in this form |
||||
| Exposition | In the exposition the composer presents three melodic ideas or themes. The exposition is repeated. The sign in music that means to repeat is : (two dots) | |||
| Development | In the development section, the composer develops these themes, musical ideas. He does this by expanding upon them. He takes them to new keys, Sometimes he gives them to different sections of the orchestra. He just haf -m with the three melodies. | |||
| Recapitulation | The themes are restated, the fIrSt theme coming back in the original key of the piece. However, it is. not like the last return of A in ABA fonn, because here it is not a note for note repetition. The melodies are restated with some additional material not seen earlier in the movement. | |||
| Remember that symphonies and sonatas have several movements. Sonata fonn is used for the first movements of symphonies and sonatas in the Classic period. The three sections of sonata form (Exposition, Development, and Recapitulation) all take place within one of the movements. | ||||
| A sonata and sonata form are not the same thing. | ||||
| Sonata | a work in several movements for one or two instruments. | |||
| Sonata form | a way of organizing one movement of a symphony or sonata which has three main sections: Exposition, Development, Recapitulation | |||
|
||||
| In each one of the variations he treats the melody in a little bit different way. He might vary one of the other four elements of music. The melody will always remain recognizable. In one variation he will vary the melody, another the harmony, the rhythm or the dynamics. | ||||